Michael G. Sinshack
List of Works


 

Unquiet Slumber (2001). Music for winds, brass and percussion, c. 10' 00" [Notes] - [Recording]
Commissioned by the Waukesha Area Symphonic Band; Premiered November 13, 2001, Michael Alexander, conductor

Tautological Embrace (2001). Music for mixed ensemble [6 Players], c. 6' 30" [Notes] - [Recording]
Completed in partial fulfillment for DMA degree requirements at the University of Wisconsin-Madison; Premiered April 25, 2001, Morphy Recital Hall, UW-Madison.

Unquiet Slumber [preliminary sketches] (2001). Music for large symphony orchestra, c. 6' 00" [Notes] - [Recording]
Commissioned by the Waukesha Area Symphonic Band

Slubberdegullions on Squeaky Feet (2001). Music for mixed ensemble [6 Players], c. 3' 00" [Notes] - [Recording]

Paliurus spina-christi (2000). 23,853 notes of music for large symphony orchestra, c. 10' 00" [Notes] - [Recording]
Winner of the UW-Madison 5th annual Concerto Composition Contest; premiered February 10, 2002 by the UW-Madison Symphony Orchestra, David E. Becker, conductor.        

Patchwork: Fo(u)r Flute(s) (2000). For flute quartet, c. 7' 30" [Notes] - [Recording]
Commissioned by Flutes Quatre, April 2000.

Snail Boy Soundtrack (2000). Music for film, c. 47" 00" [Notes] - [Recording]
Short score for an independent movie produced in conjunction with UW-Madison Com-Arts department.

Cognitive Dissonance (2000). For flute, percussion and bass, c. 8' 00" [Notes] - [Recording]
Premiered April 7, 2000.  Commissioned by the Wisconsin Alliance for Composers, Inc., First(,) Listen! concert. Recorded by UW-Madison School of Music.

Of 1s and 0s... (1999) Music for chamber orchestra, c. 8':00" [Notes] - [Recording]
Premiered April 9, 2000,  Music Hall, UW-Madison, Pablo Mahve-Veglia, conductor.

Two Short Movements (1999) Short works for Youth Symphony Orchestra, c. 9' 00" [Notes] - [Recording]

Moonlit Knight (1998) One movement for solo violin, c. 4' 00" [Notes] - [Recording] - [Purchase]
Master-class reading with violinist Rolf Schulte in October-1998. Premiered December 1, 2000 Morphy Recital Hall, UW-Madison.

Two Psalms (1998) For a cappella choir (SATB). [Notes] - [Recording]
   
Psalm 121 (c. 3' 30") [Purchase]
   
Psalm 131
(c. 3' 30") (Recorded by the UW Madrigal Choir, Timothy Stalter, conductor). [Purchase]

Paliurus (1998). For winds, brass, and percussion, c. 8' 00" [Notes] - [Recording]
Recorded by the University of Wisconsin—Milwaukee Wind Ensemble; Michael Alexander, conductor; also recorded by the UW-Madison Wind Ensemble, Donald Lovejoy, conductor.

Massive (1998). For tape, c. 6' 00" [Notes] - [Recording]
Premiered November 12, 1998, UWM Fine Arts Recital Hall.

King of Kings (1997) For tape, c. 8' 00" [Notes] - [Recording]
Premiered, December 17, 1997 UWM Computer Music Studios. Graduate recital, May 1, 1998, University of Wisconsin-Milwaukee Fine Arts Recital Hall.  November 23, 1999, Morphy Recital Hall, UW-Madison.

The Aberration of the Sleeping Dragon (1997). For pianoforte, four hands, c. 6' 30" [Notes] - [Recording] - [Purchase]
A three movements. Premiered April 28, 1998, University of Wisconsin-Milwaukee Fine Arts Recital Hall; Graduate recital, May 1, 1998, UWM Fine Arts Recital Hall.

Inner Ear [formerly Concerto for Orchestra] (1997) For large symphony orchestra, three movements, c. 12' 00" [Notes] - [Recording]
Placed second out of 101 submitted scores in the Quinto Maganini Composition Competition, a national contest sponsored by The Norwalk Symphony in Norwalk, Connecticut. Winner of the UW-Madison 2nd annual Concerto Composition Contest; premiered February 28, 1999 by the UW-Madison Symphony Orchestra, David E. Becker, conductor.

Perseverance (1996/97). For mixed ensemble [9 players], six movements, c. 15' 00" [Notes] - [Recording]
A six part program for mixed ensemble (9 players). Performance Date: April 29, 1997; The University of Wisconsin-Milwaukee Fine Arts Recital Hall. Graduate recital, May 1, 1998; University of Wisconsin-Milwaukee Fine Arts Recital Hall. Music Hall, UW-Madison CCE concert Date???{Ensemble: Flute; Clarinet; Horn; Viola; Cello; Harp; Pianoforte; Multiple Percussion—2 Players}.

Le baiser de l’ange (1996). For woodwind quintet, three movements, c. 9' 00" [Notes] - [Recording]
Premiered, Graduate recital, May 1, 1998, University of Wisconsin-Milwaukee Fine Arts Recital Hall.

A Soul’s Journey (1996). For winds, brass, and percussion, two movements, c. 15' 00" [Notes] - [Recording]
A two movement symphony for winds, brass, and percussion.  Performance date: December 8, 1996; The University of Wisconsin-Milwaukee Symphony Band, Thomas L. Dvorak, conductor.

Jeu de temps (1996). For string quartet, three movements, c. 15' 00" [Notes] - [Recording]
Performance Dates: April 30, 1996; The University of Wisconsin-Milwaukee Fine Arts Recital Hall.  April 25, 1997; Artaria Quartet of  Boston, Wisconsin Alliance of Composers Inc. spring conference, Madison WI. Graduate recital, May 1, 1998, University of Wisconsin-Milwaukee Fine Arts Recital Hall.  To be presented at the Midwest Graduate Music Consortium in April, 2000,  at UW-Madison.

Solemn Refuge (1995). For solo piano, one movement, c. 9' 00" [Notes] - [Recording] - [Purchase]
Performance Date: April 30, 1996; The University of Wisconsin--Milwaukee Recital Hall. Graduate recital, May 1, 1998, University of Wisconsin-Milwaukee Fine Arts Recital Hall. October 26, 1999, Morphy Recital Hall, UW-Madison.

Always There (1995/96). For tape, c. 6' 00" [Notes] - [Recording]
Short score for an independent video of the same name.

Five Short Pieces for Piano (1995, rev.1999). For piano solo, c. 6' 00" [Notes] - [Recording] -  [Purchase: 1; 2; 3; 4; 5]

Comedy of Errors Soundtrack (1994). Incidental music for tape, c. 12' 00" [Notes] - [Recording]
Incidental music written for a production William Shakespeare's Comedy of Errors for the Philip Lynch Theater.

The World to Come-Suite (1995). For mixed ensemble [10 players], four movements, c. 15' 00" [Notes] - [Recording]
A reduction of the larger orchestral work for chamber group.  Performance Date: April 5, 1995; Charles Ives Recital Hall, Lewis University.

Tod und Tanz (1994). For two pianos, c. 3' 00" [Notes] - [Recording]
Piano duo. Performance Date: April 5, 1995; Charles Ives Recital Hall, Lewis University.

The Magic Fluke (1994). For piano trio, c. 12' 00" [Notes] - [Recording]
Piano trio. Performance Date: April 5, 1995; Charles Ives Recital Hall, Lewis University.

 Apocalypse: The World to Come (1994). For symphony orchestra, four movements work, c. 20' 00" [Notes] - [Recording]

Miracle Monstrosity (1994). For solo piano, c. 7' 00" [Notes] - [Recording]
Performance Dates: November 10, 1994; Moser Performing  Arts Center, College of St. Francis.  April 5, 1995; Charles Ives Recital Hall, Lewis University.

Symphony Number One (1992). For symphony orchestra, four movements, c. 10' 00" [Notes] - [ Recording]
A four movement work for symphony orchestra; Performance date:  June 12, 1993; Rialto Square Theatre, Joliet, Illinois; Metropolitan Youth Symphony Orchestra, Lawrence Sisk, conductor.


 


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Email mgsinshack@facstaff.wisc.edu